
विडम्बना
Vidambana
Gopal Prasad Vyas
8 verses · ~20 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

3 verses · ~1 min
बाल ठाकरे! बाल ठाकरे! कैसे फ़ासिस्टी प्रभुओं की -- गला रहा है दाल ठाकरे! अबे सँभल जा, वो पहुँचा बाल ठाकरे! सबने हाँ की, कौन ना करे! छिप जा, मत तू उधर ताक रे! शिव-सेना की वर्दी डाटे, जमा रहा लय-ताल ठाकरे! सभी डर गए, बजा रहा है गाल ठाकरे!
गूँज रहीं सह्याद्री घाटियाँ, मचा रहा भूचाल ठाकरे! मन ही मन कहते राजा जी, जिये भला सौ साल ठाकरे! चुप है कवि, डरता है शायद, खींच नहीं ले खाल ठाकरे! कौन नहीं फँसता है देखें, बिछा चुका है जाल ठाकरे! बाल ठाकरे! बाल ठाकरे! बाल ठाकरे! बाल ठाकरे! बर्बरता की ढाल ठाकरे! प्रजातन्त्र का काल ठाकरे!
धन-पिशाच का इंगित पाकर, ऊँचा करता भाल ठाकरे! चला पूछने मुसोलिनी से, अपने दिल का हाल ठाकरे! बाल ठाकरे! बाल ठाकरे! बाल ठाकरे! बाल ठाकरे!
इति
The Poet
Nagarjun
1911 · 1998
Vaidyanath Mishra, universally known as Nagarjun, was a literary force of nature who absolutely refused to bow before power. Born in 1911 in the Darbhanga district of Bihar, he earned the title of Janakavi or the poet of the people through decades of unyielding progressive writing. He wrote in both Hindi and Maithili, winning the Sahitya Akademi Award for his Maithili collection Patrahin Nagna Gachh. Nagarjun was a restless traveler and a committed activist who actively participated in peasant movements and went to prison several times. His poetry is stripped of all artificial elegance. It speaks directly with the raw, biting anger of the hungry, the marginalized, and the exploited. Whether he was exposing political corruption or writing tenderly about the first rains on parched village earth, his words carried the undeniable scent of the soil. He died in 1998, but he remains the ultimate benchmark for resistance poetry in India. He proved that true poetry does not reside in the palaces of kings, but in the sweat and struggle of the common folk.

Paired Painting
The Battle of Pratapgad
This scene captures the heart-pounding tension at the foot of Pratapgad fort, where Chhatrapati Shivaji Maharaj met the towering Bijapur general, Afzal Khan. It is far more than a mere tactical victory: it is a story of a leader’s profound love for his land and his people, standing tall against seemingly impossible odds. The image brings to life the split second of a desperate, treacherous embrace, where Shivaji Maharaj used the tiger claw (wagh nakh) to protect the dream of a free kingdom. It remains a deeply moving symbol of bravery and the enduring spirit of resistance that continues to beat in the hearts of millions today.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Barbarta Ki Dhal Thackeray carries.