№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Untitled (Radha Learning to Play the Flute)

Shringara

शाम मुरली बजाई कुंजनमों

Sham Murali Bajai Kunjamon

Mirabai
1 min read 1 versesरागragaमुरली

1 verses · ~1 min

शाम मुरली बजाई कुंजनमों॥ध्रु०॥ रामकली गुजरी गांधारी। लाल बिलावल भयरोमों॥१॥ मुरली सुनत मोरी सुदबुद खोई। भूल पडी घरदारोमों॥२॥ मीराके प्रभु गिरिधर नागर। वारी जाऊं तोरो चरननमों॥३॥

इति

Mirabai

The Poet

मीराबाई

Mirabai

1498 · 1546

In the vast tradition of Indian devotional literature, Mirabai stands as an absolute force of fearless independence. Born around 1498 into a royal Rajput family in Rajasthan, she rejected every expectation placed upon a woman of her aristocratic stature. Following the death of her husband, she refused to commit Sati, refused to mourn according to courtly protocol, and instead declared herself eternally married to Lord Krishna. Her entire life became an act of spiritual rebellion against feudal patriarchy. She left the palace, mingled with the lower castes, accepted the leather-worker Ravidas as her guru, and composed ecstatic, deeply personal poetry (bhajans) that mapped the fierce agony and joy of divine love. According to enduring historical memory, she survived multiple assassination attempts by her furious in-laws before leaving Mewar entirely. Five centuries later, her voice remains universally alive. Her songs are sung in temples, villages, and classical concerts across the subcontinent. She did not merely write Bhakti poetry; she weaponized devotion to achieve total personal liberation.

Untitled (Radha Learning to Play the Flute)

Paired Painting

Untitled (Radha Learning to Play the Flute)

In this tender depiction, the master Nandalal Bose captures a moment of sublime intimacy between the divine lovers. Radha and Krishna stand within a delicately framed archway, their bodies swaying in a gentle dance of devotion. As Krishna guides her hands upon the flute, he is not merely teaching a melody, he is sharing the very breath of existence with his beloved. The work draws heavily upon the rich legacy of Indian miniature traditions, yet it breathes with the modernist soul of the Bengal School. It reminds us that spiritual union is a dialogue, a shared pursuit of beauty that transcends the mundane world.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Sham Murali Bajai Kunjamon carries.