
अब तो नींद
Ab To Neend
Poornima Varman
3 verses · ~12 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

4 verses · ~1 min
सखी मेरी नींद नसानी हो। पिवको पंथ निहारत सिगरी रैण बिहानी हो।
सखियन मिलकर सीख द मन एक न मानी हो। बिन देख्यां कल नाहिं पड़त जिय ऐसी ठानी हो।
अंग-अंग ब्याकुल भ मुख पिय पिय बानी हो। अंतर बेदन बिरहकी कोई पीर न जानी हो।
ज्यूं चातक घनकूं रटै मछली जिमि पानी हो। मीरा ब्याकुल बिरहणी सुध बुध बिसरानी हो।
इति
The Poet
Mirabai
1498 · 1546
In the vast tradition of Indian devotional literature, Mirabai stands as an absolute force of fearless independence. Born around 1498 into a royal Rajput family in Rajasthan, she rejected every expectation placed upon a woman of her aristocratic stature. Following the death of her husband, she refused to commit Sati, refused to mourn according to courtly protocol, and instead declared herself eternally married to Lord Krishna. Her entire life became an act of spiritual rebellion against feudal patriarchy. She left the palace, mingled with the lower castes, accepted the leather-worker Ravidas as her guru, and composed ecstatic, deeply personal poetry (bhajans) that mapped the fierce agony and joy of divine love. According to enduring historical memory, she survived multiple assassination attempts by her furious in-laws before leaving Mewar entirely. Five centuries later, her voice remains universally alive. Her songs are sung in temples, villages, and classical concerts across the subcontinent. She did not merely write Bhakti poetry; she weaponized devotion to achieve total personal liberation.

Paired Painting
Damayanti and Her Maidservant
In this deeply moving masterwork, Raja Ravi Varma captures the ethereal princess Damayanti lost in the sweet, agonizing throes of longing for Nala, the king of Nishadha. Seated upon a marble terrace against a twilight sky, her delicate frame embodies the tender vulnerability of love, while her devoted confidante stands gently at her side, holding a peacock feather fan and offering a comforting presence. Varma masterfully merges European academic realism with classical Indian sensibilities, breathing a vibrant, theatrical soul into the sacred literature of the subcontinent and allowing viewers to intimately share in the quiet emotional depths of immortal mythological heroines.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Sakhi Meri Neend Nasani Ho carries.