№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

Loading the archive

MM · XXVI

Canvas
Vilaval Ragini from a Ragamala Set

Shringara

गली तो चारों बंद हु हैं मैं हरिसे मिलूं कैसे जाय

Gali To Charon Band Hu Hain Main Harise Milun Kaise Jay

Mirabai
1 min read 5 versesविरहseparationबाधाएं

5 verses · ~1 min

गली तो चारों बंद हु हैं मैं हरिसे मिलूं कैसे जाय॥

ऊंची-नीची राह रपटली पांव नहीं ठहराय। सोच सोच पग धरूं जतन से बार-बार डिग जाय॥

ऊंचा नीचां महल पिया का म्हांसूं चढ्यो न जाय। पिया दूर पथ म्हारो झीणो सुरत झकोला खाय॥

कोस कोस पर पहरा बैठया पैग पैग बटमार। हे बिधना कैसी रच दीनी दूर बसायो लाय॥

मीरा के प्रभु गिरधर नागर सतगुरु द बताय। जुगन-जुगन से बिछड़ी मीरा घर में लीनी लाय॥

इति

Mirabai

The Poet

मीराबाई

Mirabai

Vilaval Ragini from a Ragamala Set

Paired Painting

Vilaval Ragini from a Ragamala Set

In the quiet intimacy of the royal courtyard, a beloved heroine prepares for the joyful return of her lord, embodying the profound devotion of Vilaval Ragini. Created in the artistic ateliers of Bundi around 1680, this exquisite leaf from a Ragamala series translates the tender emotions of classical Indian music into a visual symphony of color, architecture, and mood. As twilight descends and a solitary peacock gazes from the parapet, a maidservant gently holds a mirror so the lady can adorn herself, while another musician plays a stringed instrument to soothe the longing heart. Every intricate detail, from the luminous gold borders to the delicate pink pavilions, invites the viewer into a timeless world of romance, spiritual longing, and refined Rajput aesthetics.

Open the viewer →

If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Gali To Charon Band Hu Hain Main Harise Milun Kaise Jay carries.