
फिर बाजे बरनै हरीकी मुरलीया सुनोरे
Phir Baaje Barne Hari Ki Murliya Sunore
Mirabai
1 verse · ~6 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

Shringara
Farka Farka Jo Bai Hariki Muraliya
Mirabai1 verses · ~1 min
फरका फरका जो बाई हरीकी मुरलीया। सुनोरे सखी मारा मन हरलीया॥ध्रु०॥ गोकुल बाजी ब्रिंदाबन बाजी। और बाजी जाहा मथुरा नगरीया॥१॥ तुम तो बेटो नंदबावांके। हम बृषभान पुराके गुजरीया॥२॥ यहां मधुबनके कटा डारूं बांस। उपजे न बांस मुरलीया॥३॥ मीराके प्रभु गिरिधर नागर। चरणकमलकी लेऊंगी बलय्या॥४॥
इति
The Poet
Mirabai
1498 · 1546
In the vast tradition of Indian devotional literature, Mirabai stands as an absolute force of fearless independence. Born around 1498 into a royal Rajput family in Rajasthan, she rejected every expectation placed upon a woman of her aristocratic stature. Following the death of her husband, she refused to commit Sati, refused to mourn according to courtly protocol, and instead declared herself eternally married to Lord Krishna. Her entire life became an act of spiritual rebellion against feudal patriarchy. She left the palace, mingled with the lower castes, accepted the leather-worker Ravidas as her guru, and composed ecstatic, deeply personal poetry (bhajans) that mapped the fierce agony and joy of divine love. According to enduring historical memory, she survived multiple assassination attempts by her furious in-laws before leaving Mewar entirely. Five centuries later, her voice remains universally alive. Her songs are sung in temples, villages, and classical concerts across the subcontinent. She did not merely write Bhakti poetry; she weaponized devotion to achieve total personal liberation.

Paired Painting
Shree Gopal Krishna
This exquisite chromolithograph captures Lord Krishna in his quintessential pastoral aspect as Gopal, the divine cowherd of Vrindavan. Standing gracefully with his legs crossed in a relaxed tribhanga posture, he plays a melody upon his bamboo flute that enchants all of creation. Raja Ravi Varma revolutionized Indian visual culture by bringing Hindu deities down from distant celestial realms and rendering them with breathing, human warmth through European academic realism. Here, the divine youth is flanked by adoring cows, a majestic peacock with its resplendent fan of feathers unfurled, and a tranquil landscape bathed in ethereal light. The artwork served as a profound spiritual anchor, allowing millions of devotees to experience intimate darsana in their own homes.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Farka Farka Jo Bai Hariki Muraliya carries.