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देखोरे देखो जसवदा मैय्या तेरा लालना

Dekhore Dekho Jasvada Maiyya Tera Lalna

1 min read 1 versesYashoda Radha Devotion

1 verses · ~1 min

देखोरे देखो जसवदा मैय्या तेरा लालना। तेरा लालना मैय्यां झुले पालना ॥ध्रु०॥ बाहार देखे तो बारारे बरसकु। भितर देखे मैय्यां झुले पालना॥१॥ जमुना जल राधा भरनेकू निकली। परकर जोबन मैय्यां तेरा लालना॥२॥ मीराके प्रभु गिरिधर नागर। हरिका भजन नीत करना॥ मैय्यां०॥३॥

इति

Rasa: Shringara
Stanzas: 1
Lines: 5
Reading time: ~1 min
Form: Pada
Metre: pada
Rhyme: irregular

An intimate and devotional romanticism permeates the scene, shifting fluidly between maternal tenderness and the divine awakening of youthful desire. The visual composition centers on Mother Yashoda gently rocking an ornate wooden cradle in the courtyard, while a wondrous, cosmic paradox unfolds—though the child rests within the swing, he is simultaneously witnessed outside manifesting as a full-grown youth. In the immediate vicinity, Radha steps toward the Yamuna river to fetch water, her blossoming youth magnetically drawn into the playful, enchanting gaze of the toddler-god. This juxtaposition of the infant in the cradle with the impending romance of Radha and Krishna symbolizes the eternal interplay of human devotion and divine lila, cast in a sweet, reverent, and dreamlike tone of constant worship.

देखोरे देखो जसवदा मैय्या तेरा लालना (Dekhore Dekho Jasvada Maiyya Tera Lalna), by Mirabai runs to 5 lines, set as Three-stanza devotional song with a refrain. Its governing rasa is Shringara, shaded by Adbhuta. The metre is pada. Rhyme falls as irregular.

It belongs to the 1498 · 1546 span of Mirabai's working life, and keeps the plain, spoken register that period is known for.

Read it for कृष्ण के बाल-रूप और युवा-रूप का कौतुकपूर्ण अंतर्विरोध and राधा और कृष्ण के बीच का मधुर संबंध. 3 words in it carry older or regional senses, so the poem rewards a second pass.

The verse is hung beside Shantanu and Matsyagandha: Bathed in a warm, romantic atmosphere of quiet longing and fateful anticipation, this academic realist chromolithograph depicts the foundational Mahabharata encounter between King Shantanu and the fisherwoman…

Words worth pausing on

लालना: प्यारा बच्चा या पुत्र
जोबन: यौवन या जवानी
नीत: नित्य या हमेशा

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Yashoda Radha Devotion

The Poet

मीराबाई

Mirabai

1498 · 1546

In the vast tradition of Indian devotional literature, Mirabai stands as an absolute force of fearless independence. Born around 1498 into a royal Rajput family in Rajasthan, she rejected every expectation placed upon a woman of her aristocratic stature. Following the death of her husband, she refused to commit Sati, refused to mourn according to courtly protocol, and instead declared herself eternally married to Lord Krishna. Her entire life became an act of spiritual rebellion against feudal patriarchy. She left the palace, mingled with the lower castes, accepted the leather-worker Ravidas as her guru, and composed ecstatic, deeply personal poetry (bhajans) that mapped the fierce agony and joy of divine love. According to enduring historical memory, she survived multiple assassination attempts by her furious in-laws before leaving Mewar entirely. Five centuries later, her voice remains universally alive. Her songs are sung in temples, villages, and classical concerts across the subcontinent. She did not merely write Bhakti poetry; she weaponized devotion to achieve total personal liberation.