
पतीया मैं कैशी लीखूं, लीखये न जातरे
Patiya Main Kaishi Likhoon, Likhaye Na Jatare
Mirabai
1 verse · ~5 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

1 verses · ~1 min
डर गयोरी मन मोहनपास। डर गयोरी मन मोहनपास॥१॥ बीरहा दुबारा मैं तो बन बन दौरी। प्राण त्यजुगी करवत लेवगी काशी॥२॥ मीरा कहे प्रभु गिरिधर नागर। हरिचरणकी दासी॥३॥
इति

Paired Painting
Simhika and Sairandhri
This masterwork captures a deeply tense and emotionally charged episode from the Mahabharata, unfolding during the final year of the Pandavas exile in disguise. Draupadi, living under the assumed identity of the maidservant Sairandhri in the court of Virata, finds herself trapped in a terrifying encounter with the evil commander Kichaka, whose advances she repeatedly spurns. Here, the scheming Simhika, sister to Kichaka, approaches Sairandhri with cunning persuasion, coaxing her to meet the infatuated general. Raja Ravi Varma masterfully contrasts the two figures, portraying Simhika with a deceptive, calculating allure, her arm outstretched in direction, while Sairandhri clings to herself in profound distress, her eyes filled with sorrow and foreboding. Through his exquisite command of European academic realism infused with Indian theatrical sensibilities, Varma immortalizes not just a mythological encounter, but the universal vulnerability and quiet resilience of a woman standing alone in peril.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Dar Gayori Man Mohanpas carries.