№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Indrakshi Seated on a Lotus Flower, Adored by the Gods

Shanta

भोलानाथ दिंगबर ये दुःख मेरा हरोरे

Bholanath Dingabar Ye Dukh Mera Harore

Mirabai
1 min read 1 versesशिवshivaभोलानाथ

1 verses · ~1 min

भोलानाथ दिंगबर ये दुःख मेरा हरोरे॥ध्रु०॥ शीतल चंदन बेल पतरवा मस्तक गंगा धरीरे॥१॥ अर्धांगी गौरी पुत्र गजानन चंद्रकी रेख धरीरे॥२॥ शिव शंकरके तीन नेत्र है अद्‌भूत रूप धरोरे॥३॥ आसन मार सिंहासन बैठे शांत समाधी धरोरे॥४॥ मीरा कहे प्रभुका जस गांवत शिवजीके पैयां परोरे॥५॥

इति

Mirabai

The Poet

मीराबाई

Mirabai

1498 · 1546

In the vast tradition of Indian devotional literature, Mirabai stands as an absolute force of fearless independence. Born around 1498 into a royal Rajput family in Rajasthan, she rejected every expectation placed upon a woman of her aristocratic stature. Following the death of her husband, she refused to commit Sati, refused to mourn according to courtly protocol, and instead declared herself eternally married to Lord Krishna. Her entire life became an act of spiritual rebellion against feudal patriarchy. She left the palace, mingled with the lower castes, accepted the leather-worker Ravidas as her guru, and composed ecstatic, deeply personal poetry (bhajans) that mapped the fierce agony and joy of divine love. According to enduring historical memory, she survived multiple assassination attempts by her furious in-laws before leaving Mewar entirely. Five centuries later, her voice remains universally alive. Her songs are sung in temples, villages, and classical concerts across the subcontinent. She did not merely write Bhakti poetry; she weaponized devotion to achieve total personal liberation.

Indrakshi Seated on a Lotus Flower, Adored by the Gods

Paired Painting

Indrakshi Seated on a Lotus Flower, Adored by the Gods

This profound folio from the legendary Tantric Devi series captures a moment of supreme divine grace and cosmic reverence. Goddess Indrakshi, whose name translates to having eyes like Indra, radiates with a mesmerizing multisignificance as she is adored by the supreme Hindu trinity of Brahma, Vishnu, and Shiva. Seated regally upon a blooming pink lotus that rises from sacred waters, and supported by her majestic tiger mount, the multi-armed goddess dispenses blessings upon the humbled deities who approach her with folded hands. The vibrant crimson background characteristic of the Basohli school creates an intense emotional resonance, enveloping the sacred encounter in an aura of transcendental warmth and eternal devotion.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Bholanath Dingabar Ye Dukh Mera Harore carries.