
3 verses · ~1 min
कई दिनों के बाद जब पति-पत्नी लौटे तो बगीचे के फूल किसी ने तोड़ लिए थे । पति बेहद नाराज़ हुआ ।
घर में घुसते ही सामान इधर -उधर फेकने लगा । पत्नी लगातार माफ़ी माँग रही थी शान्त होने की प्रार्थना कर रही थी ।
दरअसल स्त्रियाँ जब घर में नहीं भी होती है तब भी घर को सम्हालने का दायित्व उन्ही का होता है ।
इति
The Poet
मदन कश्यप
Madan Kashyap
1954 · 2000
Madan Kashyap stands as a deeply grounded voice in contemporary Hindi poetry, writing with a fierce protective instinct for the marginalized communities of India. Born in 1954 in Bihar, his verse confronts the harsh realities of rural displacement, neo imperialism, and the crushing weight of global capitalism on agrarian life. In collections like Lekin Udaas Hai Prithvi, he strips away all artificial romanticism to reveal the stark, unfiltered truth of survival. He possesses a remarkably sharp political conscience, yet his poems never devolve into mere propaganda. Instead, they resonate with a deep, aching empathy for those who have been left behind by modern progress. Kashyap writes to ensure that the silent struggles of the peasantry and the working class are permanently recorded in the literary history of the nation.

Paired Painting
Mandodari Repressing the Wrath of Ravana
This profound work captures a poignant and dramatic moment from the great epic of the Ramayana, set against the verdant and melancholic backdrop of the Ashoka Vatika. Ravana, the mighty sovereign of Lanka, stands consumed by fierce anger, his hand resting on his jeweled sword, while his righteous and devoted queen, Mandodari, gently yet courageously intervenes to stay his hand and temper his destructive wrath. Kneeling nearby in serene devotion and quiet suffering is Sita, radiating divine grace amidst adversity, while a watchful guardian lingers in the shadows. The artist brilliantly balances the turbulent emotions of pride and fury with the calming presence of wisdom and virtue, inviting the viewer to witness a timeless human drama of morality, loyalty, and restraint.
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