Shringara

मैं तुम्हें ढूंढने स्वर्ग के द्वार तक

Main Tumhein Dhoondhne Swarg Ke Dwar Tak

2 min read 4 versesस्वर्गheavenउर्मिला

4 verses · ~2 min

मैं तुम्हें ढूंढने स्वर्ग के द्वार तक रोज़ जाता रहा, रोज़ आता रहा तुम ग़ज़ल बन गईं, गीत में ढल गईं मंच से मैं तुम्हें गुनगुनाता रहा

ज़िन्दगी के सभी रास्ते एक थे सबकी मंज़िल तुम्हारे चयन तक रही अप्रकाशित रहे पीर के उपनिषद् मन की गोपन कथाएँ नयन तक रहीं प्राण के पृष्ठ पर प्रीति की अल्पना तुम मिटाती रहीं मैं बनाता रहा

एक ख़ामोश हलचल बनी ज़िन्दगी गहरा ठहरा हुआ जल बनी ज़िन्दगी तुम बिना जैसे महलों मे बीता हुआ उर्मिला का कोई पल बनी ज़िन्दगी दृष्टि आकाश में आस का इक दीया तुम बुझाती रहीं, मैं जलाता रहा

तुम चली तो गईं, मन अकेला हुआ सारी यादों का पुरज़ोर मेला हुआ जब भी लौटीं नई ख़ुश्बुओं में सजीं मन भी बेला हुआ, तन भी बेला हुआ ख़ुद के आघात पर, व्यर्थ की बात पर रूठतीं तुम रहीं मैं मनाता रहा

इति

The Poet

कुमार विश्वास

Kumar Vishwas

1970 · 2010s

Kumar Vishwas redefined the public consumption of Hindi poetry for the twenty first century. Born in 1970 in Pilkhuwa, Uttar Pradesh, he stepped out of academia and onto the stage, transforming quiet college campuses into massive arenas of poetic celebration. He possesses an uncanny ability to connect traditional lyrical forms with the restless energy of modern youth. His most famous poem Koi Deewana Kehta Hai transcended literary circles to become an anthem for an entire generation. While purists sometimes debated his immense popularity, Vishwas successfully dismantled the barrier between elite literary traditions and mass appeal. He brought the Hindi language back to prime time, proving that romantic and patriotic verses still hold the power to captivate millions.

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Paired Painting

Kadambari

This evocative work, widely known as Kadambari, draws its inspiration from the classical Sanskrit romance by Banabhatta, yet it is firmly rooted in the aesthetic landscape of late nineteenth century India. Raja Ravi Varma, the father of modern Indian art, employs his signature style of academic realism to bring the legendary heroine to life. She is seated with effortless grace beside a stone balustrade, her hands poised upon the strings of a Surbahar, a deep toned instrument that mirrors the gravity and beauty of her character. The play of light on the marble and the meticulous detail of her red silk attire reflect Varma's mastery in blending European oil painting techniques with indigenous themes. Beyond the music, the painting is a celebration of the refined Indian spirit, a quiet rebellion of beauty and culture against the backdrop of colonial change. It remains one of the most beloved images from the Ravi Varma Press, having graced countless homes and hearts across the subcontinent.

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