№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

Loading the archive

MM · XXVI

Canvas
Veena Player

Shanta

तूने रात गँवायी

Tune Rat Gawayi

Kabir
1 min read 3 versesसमयtimeसुमिरन

3 verses · ~1 min

तूने रात गँवायी सोय के, दिवस गँवाया खाय के। हीरा जनम अमोल था, कौड़ी बदले जाय॥

सुमिरन लगन लगाय के मुख से कछु ना बोल रे। बाहर का पट बंद कर ले अंतर का पट खोल रे। माला फेरत जुग हुआ, गया ना मन का फेर रे। गया ना मन का फेर रे। हाथ का मनका छाँड़ि दे, मन का मनका फेर॥

दुख में सुमिरन सब करें, सुख में करे न कोय रे। जो सुख में सुमिरन करे तो दुख काहे को होय रे। सुख में सुमिरन ना किया दुख में करता याद रे। दुख में करता याद रे। कहे कबीर उस दास की कौन सुने फ़रियाद॥

इति

Kabir

The Poet

कबीर

Kabir

1398 · 1518

To speak of Kabir within the ordinary parameters of literary biography is almost impossible. Born in the fifteenth century to a Muslim weaver's family in the sacred Hindu city of Banaras, he became a voice that refused to be domesticated by any temple, mosque, or scholarly apparatus. Kabir claimed no scripture, no caste, and no sacred language as his exclusive property. He stood at the loom of reality and wove his dohas (devastating two-line couplets) from the raw thread of direct spiritual encounter. His critique was not merely religious but civilizational. He asked with the serene ferocity of an awakened mind why human beings had chosen the architecture of division over the open sky of the divine. Centuries have passed, empires have crumbled, and languages have shifted. Yet, Kabir's couplets are still recited in village squares and debated in universities today. He requires no temple because he built one inside language itself. He is the conscience of the Indian soul.

Veena Player

Paired Painting

Veena Player

Open the viewer →

If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Tune Rat Gawayi carries.