№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Rama, Sita, and Lakshmana in the Jungle

Shanta

केहि समुझावौ सब जग अन्धा

Kehi Samujhavo Sab Jag Andha

Kabir
1 min read 4 versesअज्ञानignoranceसंसार

4 verses · ~1 min

केहि समुझावौ सब जग अन्धा ॥

इक दुइ होयॅं उन्हैं समुझावौं, सबहि भुलाने पेटके धन्धा । पानी घोड पवन असवरवा, ढरकि परै जस ओसक बुन्दा ॥ १॥

गहिरी नदी अगम बहै धरवा, खेवन- हार के पडिगा फन्दा । घर की वस्तु नजर नहि आवत, दियना बारिके ढूँढत अन्धा ॥ २॥

लागी आगि सबै बन जरिगा, बिन गुरुज्ञान भटकिगा बन्दा । कहै कबीर सुनो भाई साधो, जाय लिङ्गोटी झारि के बन्दा ॥ ३॥

इति

Kabir

The Poet

कबीर

Kabir

1398 · 1518

To speak of Kabir within the ordinary parameters of literary biography is almost impossible. Born in the fifteenth century to a Muslim weaver's family in the sacred Hindu city of Banaras, he became a voice that refused to be domesticated by any temple, mosque, or scholarly apparatus. Kabir claimed no scripture, no caste, and no sacred language as his exclusive property. He stood at the loom of reality and wove his dohas (devastating two-line couplets) from the raw thread of direct spiritual encounter. His critique was not merely religious but civilizational. He asked with the serene ferocity of an awakened mind why human beings had chosen the architecture of division over the open sky of the divine. Centuries have passed, empires have crumbled, and languages have shifted. Yet, Kabir's couplets are still recited in village squares and debated in universities today. He requires no temple because he built one inside language itself. He is the conscience of the Indian soul.

Rama, Sita, and Lakshmana in the Jungle

Paired Painting

Rama, Sita, and Lakshmana in the Jungle

This delicate masterpiece captures the poignant exile of Prince Rama, his devoted wife Sita, and his loyal brother Lakshmana as they traverse the Dandaka forest. The artist portrays the trio in traditional forest attire, crafted from leaves and bark, which signifies their humble renunciation of royal comforts. The landscape is depicted with tender lyricism, where the winding river and flowering trees create a serene backdrop for their divine journey. This painting serves as a spiritual meditation on duty, sacrifice, and the enduring bond of family amidst the unpredictability of the wilderness.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Kehi Samujhavo Sab Jag Andha carries.