1 verses · ~1 min
उमड़ते आते हैं शाम के साये दम-ब-दम बढ़ रही है तारीकी एक दुनिया उदास है लेकिन कुछ से कुछ सोचकर दिले-वहशी मुस्कराने लगा है- जाने क्यों? वो चला कारवाँ सितारों का झूमता नाचता सूए-मंज़िल वो उफ़क़ की जबीं दमक उट्ठी वो फ़ज़ा मुस्कराई, लेकिन दिल डूबता जा रहा है - जाने क्यों?
इति
The Poet
इब्ने इंशा
Ibn-e-Insha
1927 · 1978
Sher Muhammad Khan, immortalized under the pen name Ibn-e-Insha, was a literary wanderer who observed the world with a brilliant mix of deep melancholy and razor sharp wit. Born in 1927 in the Jalandhar district of Punjab, he migrated to Pakistan and became one of the most beloved Urdu poets and travelogue writers of his generation. His most famous ghazal Insha Ji Utho Ab Kooch Karo carries an overwhelming sense of world weariness and final departure, sung beautifully by generations of classical vocalists. Yet, alongside this intense sorrow, he authored travelogues filled with hilarious, biting satire that dissected human follies across the globe. He served in the United Nations, traveling extensively before his premature death in London in 1978. He remains the poet of the restless soul, wrapping profound existential grief inside breathtaking lyrical beauty.
Paired Painting
Lady in Moonlight Meeting Snakes in a Forest
This exquisite miniature transports us into the velvety, hushed depths of a midnight forest where earthly fears dissolve into the profound quiet of devotion and longing. Dressed in deep indigo and violet garments that shimmer under the pale moonlight, a solitary lady braves the dark woodland. At her feet, delicate serpents undulate gently across the mossy earth, yet there is no terror here, only a mystical harmony between humankind and nature. The weeping branches of the trees drip with blossoms, framing the vignette like a sacred stage. Classical Indian poetry often immortalized the Abhisarika Nayika, the courageous heroine who steps out into the dangerous night to meet her beloved, completely protected by the purity of her intentions and the intensity of her love.
Open the viewer →