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Damayanti and Her Maidservant

ShringaraIntermediate

फ़र्ज़ करो

Farz Karo

Ibn-e-Insha
1 min read 5 versesImaginationLoveIllusion

5 verses · ~1 min

फ़र्ज़ करो हम अहले वफ़ा हों, फ़र्ज़ करो दीवाने हों फ़र्ज़ करो ये दोनों बातें झूठी हों अफ़साने हों

फ़र्ज़ करो ये जी की बिपता, जी से जोड़ सुनाई हो फ़र्ज़ करो अभी और हो इतनी, आधी हमने छुपाई हो

फ़र्ज़ करो तुम्हें ख़ुश करने के ढूंढे हमने बहाने हों फ़र्ज़ करो ये नैन तुम्हारे सचमुच के मयख़ाने हों

फ़र्ज़ करो ये रोग हो झूठा, झूठी पीत हमारी हो फ़र्ज़ करो इस पीत के रोग में सांस भी हम पर भारी हो

फ़र्ज़ करो ये जोग बिजोग का हमने ढोंग रचाया हो फ़र्ज़ करो बस यही हक़ीक़त बाक़ी सब कुछ माया हो

इति

Ibn-e-Insha

The Poet

इब्ने इंशा

Ibn-e-Insha

1927 · 1978

Sher Muhammad Khan, immortalized under the pen name Ibn-e-Insha, was a literary wanderer who observed the world with a brilliant mix of deep melancholy and razor sharp wit. Born in 1927 in the Jalandhar district of Punjab, he migrated to Pakistan and became one of the most beloved Urdu poets and travelogue writers of his generation. His most famous ghazal Insha Ji Utho Ab Kooch Karo carries an overwhelming sense of world weariness and final departure, sung beautifully by generations of classical vocalists. Yet, alongside this intense sorrow, he authored travelogues filled with hilarious, biting satire that dissected human follies across the globe. He served in the United Nations, traveling extensively before his premature death in London in 1978. He remains the poet of the restless soul, wrapping profound existential grief inside breathtaking lyrical beauty.

Damayanti and Her Maidservant

Paired Painting

Damayanti and Her Maidservant

In this deeply moving masterwork, Raja Ravi Varma captures the ethereal princess Damayanti lost in the sweet, agonizing throes of longing for Nala, the king of Nishadha. Seated upon a marble terrace against a twilight sky, her delicate frame embodies the tender vulnerability of love, while her devoted confidante stands gently at her side, holding a peacock feather fan and offering a comforting presence. Varma masterfully merges European academic realism with classical Indian sensibilities, breathing a vibrant, theatrical soul into the sacred literature of the subcontinent and allowing viewers to intimately share in the quiet emotional depths of immortal mythological heroines.

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