
KarunaIntermediate
दिल ने हमारे बैठे बैठे कैसे कैसे रोग लगाये
Dil Ne Hamare Baithe Baithe Kaise Kaise Roga Lagaye
Ibn-e-Insha5 verses · ~1 min
दिल ने हमारे बैठे बैठे कैसे कैसे रोग लगाये तुम ने किसी का नाम लिया और आँखों में अपनी आंसू आये
जितनी जुबानें उतने किस्से अपनी उदासी के कारण के लेकिन लोग अभी तक यह सादा सी पहेली बूझ न पाए
इश्क किया है? किस से किया है? कब से किया है? कैसे किया है? लोगों को इक बात मिली, अपने को तो लेकिन रोना आये
राह में यूँही चलते चलते उनका दामन थाम लिया था हम उन से कुछ मांगें चाहें, हमसे तो यह सोचा भी न जाये
नज्म-ए-सहर के चेहरे से इंशा इतनी भी उम्मीदें न लगाओ ऐसा भी हम ने देखा है अक्सर रात कटे और सुबह न आये
इति
The Poet
इब्ने इंशा
Ibn-e-Insha
1927 · 1978
Sher Muhammad Khan, immortalized under the pen name Ibn-e-Insha, was a literary wanderer who observed the world with a brilliant mix of deep melancholy and razor sharp wit. Born in 1927 in the Jalandhar district of Punjab, he migrated to Pakistan and became one of the most beloved Urdu poets and travelogue writers of his generation. His most famous ghazal Insha Ji Utho Ab Kooch Karo carries an overwhelming sense of world weariness and final departure, sung beautifully by generations of classical vocalists. Yet, alongside this intense sorrow, he authored travelogues filled with hilarious, biting satire that dissected human follies across the globe. He served in the United Nations, traveling extensively before his premature death in London in 1978. He remains the poet of the restless soul, wrapping profound existential grief inside breathtaking lyrical beauty.

Paired Painting
Untitled (Disappointed)
In this poignant composition, Jogesh Chandra Seal captures the quiet, heavy ache of human longing. We see a young woman retreating into the shadows of a great tree, her posture reflecting a soul turned inward by sorrow or unfulfilled expectation. She stands beside a peacock, a traditional symbol of love and longing in Indian aesthetics, yet the bird appears as a silent witness to her solitude rather than a partner in joy. The painting invites us to empathize with the universal experience of disappointment, expressed here through the delicate folds of her sari and the downcast gaze that speaks volumes of a heart burdened by its own secrets. It is a masterful study of the quiet moments when life does not unfold as we once dared to dream.
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