
अपना गाँव-समाज
Apna Gaon-Samaj
Avaneesh Singh Chauhan
7 verses · ~12 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

7 verses · ~1 min
यहाँ उजले उजले रूप बहुत पर असली कम, बहरूप बहुत
इस पेड़ के नीचे क्या रुकना जहाँ साये कम, धुप बहुत
चल इंशा अपने गाँव मैं बेठेंगे सुख की छाओं में
क्यूँ तेरी आँख सवाली है? यहाँ हर एक बात निराली है
इस देस बसेरा मत करना यहाँ मुफलिस होना गाली है
जहाँ सच्चे रिश्ते यारों के जहाँ वादे पक्के प्यारों के
जहाँ सजदा करे वफ़ा पांव में चल इंशा अपने गाँव में
इति
The Poet
Ibn-e-Insha
1927 · 1978
Sher Muhammad Khan, immortalized under the pen name Ibn-e-Insha, was a literary wanderer who observed the world with a brilliant mix of deep melancholy and razor sharp wit. Born in 1927 in the Jalandhar district of Punjab, he migrated to Pakistan and became one of the most beloved Urdu poets and travelogue writers of his generation. His most famous ghazal Insha Ji Utho Ab Kooch Karo carries an overwhelming sense of world weariness and final departure, sung beautifully by generations of classical vocalists. Yet, alongside this intense sorrow, he authored travelogues filled with hilarious, biting satire that dissected human follies across the globe. He served in the United Nations, traveling extensively before his premature death in London in 1978. He remains the poet of the restless soul, wrapping profound existential grief inside breathtaking lyrical beauty.

Paired Painting
The Village Entrance
This tranquil scene captures a moment of timeless stillness within a village landscape. Painted in 1889, the work reflects the quiet dignity of rural life, rendered with a soft, sun drenched palette that evokes the humid warmth of the tropics. The modest structure stands as a silent witness to the daily rhythms of the community, framed by lush foliage that suggests a harmonious coexistence between architecture and nature. There is a profound sense of humility in the composition, inviting the viewer to pause and appreciate the gentle beauty of an overlooked path.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Chal Insha Apne Gaon Mein carries.