
साईं तहां न जाइये
Sai Tahan Na Jaiye
Giridhar Kavirai
3 verses · ~5 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

3 verses · ~1 min
साईं घोड़े आछतहि गदहन आयो राज कौआ लीजै हाथ में दूरि कीजिये बाज
दुरी कीजिये बाज राज पुनि ऐसो आयो सिंह कीजिये कैद स्यार गजराज चढायो
कह गिरिधर कविराय जहाँ यह बूझि बधाई तहां न कीजै भोर साँझ उठि चलिए साईं
इति
The Poet
Giridhar Kavirai
1713 · 1740s
In the vast tradition of Indian poetry, most writers sought the patronage of kings or wrote exclusively in devotion to the divine. Giridhar Kavirai chose a different path entirely. He directed his verse toward the ordinary householder trying to navigate the practical complexities of daily life. Active in the eighteenth century, Giridhar perfected the Kundaliya, a demanding six-line poetic form that circles back on its opening word. He used this structure not for romantic subjects, but to deliver sharp and pragmatic wisdom. His verses served as a survival guide for the common man. He addressed everything from the unpredictable nature of wealth to the difficulty of identifying true friends. He wrote in an accessible, straightforward dialect of Braj and Awadhi. These practical maxims resonated so deeply with rural populations that people memorized them across generations without ever needing printed books. Giridhar Kavirai remains a poet of lived experience, offering grounded moral clarity for an unpredictable world.

Paired Painting
Procession of Maharao Ram Singh II of Kota
This magnificent painting captures a stately procession featuring Maharao Ram Singh II of Kota, a ruler celebrated for his deep patronage of the arts and his devotion. Set against a lush, verdant landscape punctuated by graceful trees, serene waters, and palatial architecture, the ruler sits majestically atop a caparisoned elephant glowing with ornate gold textiles. Attendants, musicians, and noble figures surround the grand procession, creating a rhythmic movement that breathes life into the scene. Every brushstroke honors the vibrant courtly culture of nineteenth century Rajasthan, immortalizing a moment of royal grace and divine majesty.
Open the viewer →
If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Sai Ghode Achatahi carries.