№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Landscape with Palm Tree and Lake View

Shringara

मेरे स्वप्न तुम्हारे पास सहारा पाने आयेंगे

Mere Swapn Tumhare Paas Sahara Paane Aayenge

Dushyant Kumar
2 min read 9 versesग़ज़लghazalस्वप्न

9 verses · ~2 min

मेरे स्वप्न तुम्हारे पास सहारा पाने आयेंगे इस बूढे पीपल की छाया में सुस्ताने आयेंगे

हौले-हौले पाँव हिलाओ जल सोया है छेडो मत हम सब अपने-अपने दीपक यहीं सिराने आयेंगे

थोडी आँच बची रहने दो थोडा धुँआ निकलने दो तुम देखोगी इसी बहाने कई मुसाफिर आयेंगे

उनको क्या मालूम निरूपित इस सिकता पर क्या बीती वे आये तो यहाँ शंख सीपियाँ उठाने आयेंगे

फिर अतीत के चक्रवात में दृष्टि न उलझा लेना तुम अनगिन झोंके उन घटनाओं को दोहराने आयेंगे

रह-रह आँखों में चुभती है पथ की निर्जन दोपहरी आगे और बढे तो शायद दृश्य सुहाने आयेंगे

मेले में भटके होते तो कोई घर पहुँचा जाता हम घर में भटके हैं कैसे ठौर-ठिकाने आयेंगे

हम क्यों बोलें इस आँधी में कई घरौंदे टूट गये इन असफल निर्मितियों के शव कल पहचाने जयेंगे

हम इतिहास नहीं रच पाये इस पीडा में दहते हैं अब जो धारायें पकडेंगे इसी मुहाने आयेंगे

इति

Dushyant Kumar

The Poet

दुष्यंत कुमार

Dushyant Kumar

1933 · 1975

Dushyant Kumar did something that required a radical courage most artists never summon. He took a form synonymous with moonlit nights and the ache of unfulfilled romance and dragged it into the burning lanes where injustice stank and the ordinary man had no language for his helplessness. Born in 1931 in Uttar Pradesh, he dismantled the ornamental tradition of the Urdu ghazal and rebuilt it in Hindi as a weapon of the dispossessed. His singular collection Saaye Mein Dhoop became one of the most quietly devastating documents in the entire tradition of modern Hindi literature. The Emergency of 1975 gave his verses a context that proved them prophetic. Unlike mere political poetry, his words outlasted their moment to become permanent fixtures in the vocabulary of Indian dissent. He wrote not with a scholar's distance but with the shaking hands of someone who had looked injustice in the face and refused to flinch. He died at forty four, leaving behind a body of work so concentrated and incandescent that its light has not dimmed in half a century. To read Dushyant Kumar is to understand that poetry's highest function is not consolation but confrontation.

Landscape with Palm Tree and Lake View

Paired Painting

Landscape with Palm Tree and Lake View

This serene painting captures a tranquil moment by the water, where the gentle lapping of waves meets the rugged shore. A solitary palm tree stands tall on the right, framing the composition with its graceful fronds, while the distant shoreline reveals quiet architectural elements bathed in the soft glow of twilight. The artist invites us to pause, breathe in the peaceful atmosphere, and reflect on the timeless beauty of the natural world.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Mere Swapn Tumhare Paas Sahara Paane Aayenge carries.