№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

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Sita in Ashoka Vatika

Karuna

कहाँ तो तय था चराग़ाँ हर एक घर के लिये

Kahan To Tay Tha Charaghan Har Ek Ghar Ke Liye

Dushyant Kumar
1 min read 6 versesग़ज़लghazalराजनीति

6 verses · ~1 min

कहाँ तो तय था चराग़ाँ हर एक घर के लिये कहाँ चराग़ मयस्सर नहीं शहर के लिये

यहाँ दरख़्तों के साये में धूप लगती है चलो यहाँ से चले और उम्र भर के लिये

न हो क़मीज़ तो घुटनों से पेट ढक लेंगे ये लोग कितने मुनासिब हैं इस सफ़र के लिये

ख़ुदा नहीं न सही आदमी का ख़्वाब सही कोई हसीन नज़ारा तो है नज़र के लिये

वो मुतमइन हैं कि पत्थर पिघल नहीं सकता मैं बेक़रार हूँ आवाज़ में असर के लिये

जियें तो अपने बग़ीचे में गुलमोहर के तले मरें तो ग़ैर की गलियों में गुलमोहर के लिये.

इति

Dushyant Kumar

The Poet

दुष्यंत कुमार

Dushyant Kumar

1933 · 1975

Dushyant Kumar did something that required a radical courage most artists never summon. He took a form synonymous with moonlit nights and the ache of unfulfilled romance and dragged it into the burning lanes where injustice stank and the ordinary man had no language for his helplessness. Born in 1931 in Uttar Pradesh, he dismantled the ornamental tradition of the Urdu ghazal and rebuilt it in Hindi as a weapon of the dispossessed. His singular collection Saaye Mein Dhoop became one of the most quietly devastating documents in the entire tradition of modern Hindi literature. The Emergency of 1975 gave his verses a context that proved them prophetic. Unlike mere political poetry, his words outlasted their moment to become permanent fixtures in the vocabulary of Indian dissent. He wrote not with a scholar's distance but with the shaking hands of someone who had looked injustice in the face and refused to flinch. He died at forty four, leaving behind a body of work so concentrated and incandescent that its light has not dimmed in half a century. To read Dushyant Kumar is to understand that poetry's highest function is not consolation but confrontation.

Sita in Ashoka Vatika

Paired Painting

Sita in Ashoka Vatika

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Kahan To Tay Tha Charaghan Har Ek Ghar Ke Liye carries.