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Sakuntala Leaving for the Palace of King Dushyanta

ShantaIntermediate

उतरी शाम

Utri Sham

Dharamvir Bharati
1 min read 3 versesEveningHomeJourney

3 verses · ~1 min

झुरमुट में दुपहरिया कुम्हलाई खोतों पर अँधियारी छाई पश्चिम की सुनहरी धुंधराई टीलों पर, तालों पर इक्के दुक्के अपने घर जाने वालों पर धीरे-धीरे उतरी शाम!

आँचल से छू तुलसी की थाली दीदी ने घर की ढिबरी बाली जमुहाई ले लेकर उजियाली जा बैठी ताखों में धीरे-धीरे उतरी शाम!

इस अधकच्चे से घर के आंगन में जाने क्यों इतना आश्वासन पाता है यह मेरा टूटा मन लगता है इन पिछले वर्षों में सच्चे झूठे संघर्षों में इस घर की छाया थी छूट गई अनजाने जो अब छुककर मेरे सिराहने कहती है " भटको बेबात कहीं लौटोगे अपनी हर यात्रा के बाद यहीं!" धीरे धीरे उतरी शाम!

इति

Dharamvir Bharati

The Poet

धर्मवीर भारती

Dharamvir Bharati

1926 · 1997

Dharamvir Bharati was the defining architect of post independence Hindi literature. Born in 1926 in Allahabad, he seamlessly mastered the roles of a poet, novelist, playwright, and highly influential editor. As the chief editor of the legendary magazine Dharmyug, he shaped the reading habits of an entire generation and set the gold standard for Hindi journalism. His literary output is nothing short of monumental. In Andha Yug, his masterful verse play written in the aftermath of the partition, he used the final days of the Mahabharata war to explore the devastating moral collapse of the modern world. Meanwhile, his poetry collection Kanupriya reimagined the love of Radha and Krishna with breathtaking psychological intimacy. Whether writing sweeping tragedies or the iconic romantic novel Gunahon Ka Devta, Bharati brought an unprecedented intellectual elegance to Hindi. Awarded the Padma Shri and the Sahitya Akademi Award, he died in 1997. He left behind a cultural legacy that permanently elevated the intellectual dignity of the Hindi language.

Sakuntala Leaving for the Palace of King Dushyanta

Paired Painting

Sakuntala Leaving for the Palace of King Dushyanta

This poignant scene captures a pivotal moment from the timeless epic, the Mahabharata, as immortalized by Kalidasa in his play, Abhijnanashakuntalam. We witness the young Sakuntala, accompanied by her guardians, as she ventures toward the court of King Dushyanta. The weight of destiny hangs heavy in the air, and her expression holds a delicate mix of maidenly shyness, vulnerability, and the solemnity of a future queen stepping into an uncertain reality. Raja Ravi Varma, with his mastery of Western realism blended with Indian sensibilities, brings this mythological encounter to life, grounding the divine narrative in an evocative, earthy forest landscape that mirrors the emotional depth of the protagonist.

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