№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

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Sakuntala Leaving for the Palace of King Dushyanta

Shanta

उतरी शाम

Utri Sham

Dharamvir Bharati
1 min read 3 versesशामeveningतुलसी

3 verses · ~1 min

झुरमुट में दुपहरिया कुम्हलाई खोतों पर अँधियारी छाई पश्चिम की सुनहरी धुंधराई टीलों पर, तालों पर इक्के दुक्के अपने घर जाने वालों पर धीरे-धीरे उतरी शाम!

आँचल से छू तुलसी की थाली दीदी ने घर की ढिबरी बाली जमुहाई ले लेकर उजियाली जा बैठी ताखों में धीरे-धीरे उतरी शाम!

इस अधकच्चे से घर के आंगन में जाने क्यों इतना आश्वासन पाता है यह मेरा टूटा मन लगता है इन पिछले वर्षों में सच्चे झूठे संघर्षों में इस घर की छाया थी छूट गई अनजाने जो अब छुककर मेरे सिराहने कहती है " भटको बेबात कहीं लौटोगे अपनी हर यात्रा के बाद यहीं!" धीरे धीरे उतरी शाम!

इति

Dharamvir Bharati

The Poet

धर्मवीर भारती

Dharamvir Bharati

Sakuntala Leaving for the Palace of King Dushyanta

Paired Painting

Sakuntala Leaving for the Palace of King Dushyanta

This poignant scene captures a pivotal moment from the timeless epic, the Mahabharata, as immortalized by Kalidasa in his play, Abhijnanashakuntalam. We witness the young Sakuntala, accompanied by her guardians, as she ventures toward the court of King Dushyanta. The weight of destiny hangs heavy in the air, and her expression holds a delicate mix of maidenly shyness, vulnerability, and the solemnity of a future queen stepping into an uncertain reality. Raja Ravi Varma, with his mastery of Western realism blended with Indian sensibilities, brings this mythological encounter to life, grounding the divine narrative in an evocative, earthy forest landscape that mirrors the emotional depth of the protagonist.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Utri Sham carries.