
शाम - दो मनःस्थितियाँ
Sham - Do Manasthitiyan
Dharamvir Bharati
10 verses · ~25 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

6 verses · ~1 min
बारिश दिन ढले की हरियाली-भीगी, बेबस, गुमसुम तुम हो
और, और वही बलखाई मुद्रा कोमल शंखवाले गले की वही झुकी-मुँदी पलक सीपी में खाता हुआ पछाड़ बेज़बान समन्दर
अन्दर एक टूटा जलयान थकी लहरों से पूछता है पता दूर- पीछे छूटे प्रवालद्वीप का
बांधूंगा नहीं सिर्फ़ काँपती उंगलियों से छू लूँ तुम्हें जाने कौन लहरें ले आई हैं जाने कौन लहरें वापिस बहा ले जाएंगी
मेरी इस रेतीली वेला पर एक और छाप छूट जाएगी आने की, रुकने की, चलने की
इस उदास बारिश की पास-पास चुप बैठे गुपचुप दिन ढलने की!
इति

Paired Painting
Nala and Damayanti in the Forest
This poignant scene captures a moment of profound vulnerability from the ancient epic of the Mahabharata. King Nala, having lost his kingdom and fallen into exile, rests under the protective canopy of the forest with his devoted wife, Damayanti. Despite the heavy burden of their displacement, the artist portrays their bond as a singular sanctuary. The ethereal face appearing in the clouds reminds us of the divine destiny and the watchful gaze of the gods, which accompanies the couple through their trials. It is a work that speaks to the endurance of love amidst the fragility of human fortune, rendered with the soft, flowing grace typical of the early twentieth century Indian nationalist art movement.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Din Dhale Ki Barish carries.