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The Death of Abhimanyu

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कुछ क्षणिकाएँ

Kuch Shranikaen

Dhananjay Singh
1 min read 10 versesNationChange

10 verses · ~1 min

दायित्व

पंखों में बांधकर पहाड़ उड़ने को कह दिया गया।

ध्वजारोहण

शौर्य शांति और समृध्दि को काले पहिए से बांधकर बाँस पर लटका दिया गया है मेरे देश में!

सूर्यास्त

दीक्षान्त समारोह में काला चोगा पहनकर सूरज नौकरी की खोज में चला

बदलाव

जब कभी कोई विस्तार मेरी मुट्ठियों में बंद हुआ एक तेज़ धार वाले ब्लेड ने अँगुलियाँ लहू-लुहान कर दीं मेरा छोटा ऐसे कई ब्लेड खेल-खेल में चबाकर निगल जाता था और अब मैं इन ब्लेडों को अपनी नसों में घूमते महसूस करता हूँ शायद अब वे मेरे श्वेत और लाल रक्त-कणों में बदल गए हैं

चेहरे

भीड़ को अपना चेहरा सौंपकर मैंने पाया- वह गूंगा हो गया है और मुस्कुराती हुई भीड़ अपने हाथों से ‘मुर्दाबाद’ कहने में जुटी है

इति

Dhananjay Singh

The Poet

धनंजय सिंह

Dhananjay Singh

Dhananjay Singh represents a deeply grounded voice in contemporary Hindi literature. Born in 1945 in the Bulandshahr district of Uttar Pradesh, his literary career spans several decades of poetry, ghazals, and lyrical verses. He writes with a profound awareness of the changing human condition and the quiet emotional struggles of ordinary people. Through celebrated collections like Palash Dahke Hain and Din Kyun Beet Gaye, he explores the delicate intersections of memory, nature, and modern existence. He possesses a remarkable ability to craft accessible yet deeply moving verse, bridging the gap between classical poetic traditions and contemporary sensibilities. Honored with the Sahitya Bhushan Samman, he has also dedicated much of his life to editing anthologies and uplifting new literary voices. He remains a steadfast guardian of the Hindi lyric form, writing poems that feel both intensely personal and universally relevant.

The Death of Abhimanyu

Paired Painting

The Death of Abhimanyu

This profound painting captures one of the most heartbreaking episodes of the Mahabharata war, the tragic last stand of young Abhimanyu, son of Arjuna and Subhadra. Trapped within the formidable chakravyuha military formation, stripped of his chariot, and heavily outnumbered by the greatest warriors of the Kaurava army, the brave prince refuses to surrender. Wielding a chariot wheel as a shield and weapon, he stands defiantly amidst chaos, dust, and fallen steeds. Giampaolo Tomassetti portrays this moment with immense reverence and visceral energy, highlighting the agonizing sorrow and transcendent heroism of a noble youth facing his destined end.

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