ShringaraBeginner
ख़ुशबू की तरह आया वो तेज़ हवाओं में
Khushboo Ki Tarah Aaya Wo Tez Hawaon Mein
Bashir Badr4 verses · ~1 min
ख़ुशबू की तरह आया वो तेज़ हवाओं में माँगा था जिसे हम ने दिन रात दुआओं में
तुम छत पे नहीं आये वो घर से नहीं निकला ये चाँद बहुत लटका सावन की घटाओं में
इस शहर में इक लड़की बिल्कुल है ग़ज़ल जैसी फूलों की बदन वाली ख़ुशबू-सी अदाओं में
दुनिया की तरह वो भी हँसते हैं मुहब्बत पर डूबे हुए रहते थे जो लोग वफ़ाओं में
इति
The Poet
बशीर बद्र
Bashir Badr
1935 · 1999
Bashir Badr achieved something exceedingly rare in the modern literary landscape by bringing the Urdu ghazal out of the exclusive courts of intellectuals and directly into the hearts of the common people. Born Syed Muhammad Bashir in 1935 in Ayodhya, he cultivated a poetic voice that used the simplest, most everyday Hindustani vocabulary to express the deepest nuances of love, heartbreak, and social tragedy. His couplets are universally recognized and frequently quoted by individuals who may never have read a formal poetry book. His life was marked by profound personal tragedy, most notably when his home and decades of literary archives were burned to ashes during the communal riots of 1992 in Meerut. Yet, instead of responding with hatred, he channeled his grief into verses that pleaded for communal harmony and human empathy. Honored with the Sahitya Akademi Award and the Padma Shri in 1999, he later relocated to Bhopal. Bashir Badr stands as a living legend whose ghazals are permanently etched into the cultural memory of the subcontinent.
Paired Painting
A Parsee Girl
Pestonji Bomanjee stands as one of the luminaries of nineteenth century Indian art, bridging traditional Indian subjects with the rigorous discipline of European academic realism. In A Parsee Girl, painted in Bombay in 1887, the artist captures a tender yet striking moment of a young Parsi girl engaged with art or imagery, dressed in exquisitely detailed traditional attire adorned with rich embroidery. Her delicate expression is rendered with a profound empathy that transcends mere portraiture, offering a rare and intimate glimpse into the identity and cultural grace of the Zoroastrian community during a time of great shifting paradigms in the subcontinent. Every brushstroke reveals Bomanjee's mastery over light and shadow, illuminating the subtle textures of fabric and the gentle gaze of youth, ensuring the canvas remains a cherished window into a bygone era of Indian portraiture.
Open the viewer →