№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

Loading the archive

MM · XXVI

Canvas
Keechaka and Sairandhri

Raudra

पंच गाँव का

Panch Gaon Ka

Avaneesh Singh Chauhan
1 min read 7 versesगाँवvillageन्याय

7 verses · ~1 min

आँख लाल है झूम चाल है लगते कुछ बेढंगे इज्जत इनसे दूर कि इनकी जेबों में हैं दंगे

दबंगई की दाढ़ लगी है कैसी आदमखोरी सूंघ रहे गस्ती में कुत्ते लागर की कमजोरी

इनकी चालों में फँस जाते अच्छे-अच्छे चंगे

गिरवी पर गोबर्धन का श्रम है दरियादिल मुखिया पत्थर-सी रोटी के नीचे दबी हुई है बिछिया

न्याय स्वयं बिकने आता है बेदम-से हैं पंगे

पंच गाँव का खुश है लेकिन हाथ तराजू डोले लगता जैसे एक- अनिर्णय की भाषा में बोले

उतर चुका दर्पण का पारा सम्मुख दिखते नंगे

इति

Avaneesh Singh Chauhan

The Poet

अवनीश सिंह चौहान

Avaneesh Singh Chauhan

Keechaka and Sairandhri

Paired Painting

Keechaka and Sairandhri

This profound work captures a harrowing moment from the Virata Parva of the Mahabharata. It depicts the villainous Keechaka, the commander of King Virata, as he approaches the disguised Draupadi, known here as Sairandhri, with dishonorable intentions. The painting masterfully portrays the psychological contrast between Keechaka, who is blinded by his own arrogance and lust, and the trembling yet defiant Sairandhri. Varma utilized his mastery of light and shadow to heighten the theatrical tension of this illicit encounter, serving as a poignant reminder of the dignity and peril faced by the heroine during the period of her exile. It is a work that demands we look beyond the surface of the royal court to the moral gravity of the situation.

Open the viewer →

If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Panch Gaon Ka carries.