
कोई अर्थ नहीं
Koi Arth Nahin
Ramdhari Singh 'Dinkar'
1 verse · ~15 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
Loading the archive
MM · XXVI

Shanta
Apne Hi Man Se Kuch Bolen
Atal Bihari Vajpayee3 verses · ~1 min
क्या खोया, क्या पाया जग में मिलते और बिछुड़ते मग में मुझे किसी से नहीं शिकायत यद्यपि छला गया पग-पग में एक दृष्टि बीती पर डालें, यादों की पोटली टटोलें!
पृथ्वी लाखों वर्ष पुरानी जीवन एक अनन्त कहानी पर तन की अपनी सीमाएँ यद्यपि सौ शरदों की वाणी इतना काफ़ी है अंतिम दस्तक पर, खुद दरवाज़ा खोलें!
जन्म-मरण अविरत फेरा जीवन बंजारों का डेरा आज यहाँ, कल कहाँ कूच है कौन जानता किधर सवेरा अंधियारा आकाश असीमित,प्राणों के पंखों को तौलें! अपने ही मन से कुछ बोलें!
इति
The Poet
Atal Bihari Vajpayee
1924 · 2018
History offers, very rarely, the spectacle of a man who carries two entirely distinct and equally demanding vocations simultaneously, not one masking the other, not one subordinate to the other, but both fully alive and fully authentic. Atal Bihari Vajpayee was statesman and poet with equal integrity, and this duality was not a paradox to be explained but a wholeness to be witnessed. As Prime Minister, he navigated nuclear tests, Kargil, the Lahore Bus Yatra, and the complex geopolitics of a rising nation with a gravity and steadiness that history continues to assess. But when he set down the instruments of power and lifted the pen, he became something else entirely, a solitary voice in conversation with the deepest questions of existence. His poems do not announce themselves. They arrive quietly, like a man who has seen too much to need to raise his voice. They speak of loneliness within crowds, of the strange distance between public duty and private grief, of the question that haunts every thinking person who has wielded great responsibility: what was it all for? Born on Christmas Day in Gwalior in 1924, Vajpayee passed into the ages in 2018, leaving a dual inheritance, a republic he helped steady, and a body of verse that ensured the man beneath the statesman would never be forgotten.

Paired Painting
View of the Ganges from the Phatuk or Gate at the Top of Punchgunga Ghat
In the early nineteenth century, James Prinsep served as the assay master at the Benares Mint, yet his true devotion lay in documenting the ancient soul of the holy city. Enchanted by the steep stone steps, sacred bathing ghats, and majestic riverside temples, Prinsep drew Varanasi with exceptional precision and deep affection. This remarkable view presents an intimate perspective from inside a heavy wooden gateway at the top of Panchganga Ghat. The dark, beautifully carved doors open outward to create a dramatic architectural frame, guiding the eye from shadow into the brilliant air of the riverfront below, where stone platforms, moored boats, and the tranquil flow of the sacred Ganges stretch out toward the far shore.
Open the viewer →
If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Apne Hi Man Se Kuch Bolen carries.