ShringaraIntermediate

मैं आँखें मूँदें सुनूँ और तुम गाओ

Main Aankhen Moonde Sunoon Aur Tum Gao

1 min read 7 versesSoul Love

7 verses · ~1 min

मैं आँखें मूँदें सुनूँ और तुम गाओ, मैं अपलक रूप निहारूँ तुम मुस्काओ।

कर से कर खेल रहे हों, अधरों से अधर जुड़े हों, प्रश्वासों निश्वासों के झोंके उखड़े-उखड़े हों, तुम शीश उठाकर धीमे से हँस दो फिर रत हो जाओ।

मैं आँखें मूँदें सुनूँ और तुम गाओ।

अधरों के आकर्षण से गति हृदयों की मिल जाये, बंधन इतना दृढ़ कर दो बस प्राण निकल ही जाये, तुम मुझे छिपा लो अंतर में या फिर मुझमें छिप जाओ।

मैं आँखें मूँदें सुनूँ और तुम गाओ।

हैं मिले आज जो क्षण वे कल भी हों बहुत कठिन है, वैसे भी मानव तन की यह आयु मात्र दो दिन है, फिर क्यों न आज इस क्षण को पूरा पूरा जी जाओ।

मैं आँखें मूँदें सुनूँ और तुम गाओ।

इति

Rasa: Shringara
Stanzas: 7
Lines: 23
Reading time: ~1 min
Form: Geet (lyric song)
Metre: geet
Rhyme: irregular

This romantic shringara lyric evokes an intimate, sensory-drenched twilight scene where two lovers are locked in an intense, breathless embrace, their hands intertwined and lips meeting as the rhythms of their ragged sighs merge. The visual composition centers on close-up tactile and auditory intimacy—one lover singing with closed eyes while the other gazes unblinkingly and smiles, a delicate balance of vulnerability and total surrender. Symbolizing the transcendent union of life forces (praan) where the boundaries of self dissolve, the lovers urge each other to hide within one another's chests. Beneath this tender eroticism lies a poignant, bittersweet urgency born from the fleeting fragility of human existence, transforming the present moment into an absolute, all-consuming eternity before time slips away.

मैं आँखें मूँदें सुनूँ और तुम गाओ (Main Aankhen Moonde Sunoon Aur Tum Gao), by Amitabh Tripathi ‘Amit’ runs to 23 lines across 7 stanzas, set as Stanzas of varying lengths with a recurring refrain.. Its governing rasa is Shringara, shaded by Adbhuta. The metre is geet. Rhyme falls as irregular.

Read it for प्रेम की चरम सीमा और शारीरिक-आत्मिक मिलन and क्षणभंगुर जीवन में वर्तमान पल को पूरी तरह जीने की चाह. 3 words in it carry older or regional senses, so the poem rewards a second pass.

The verse is hung beside Usha and Aniruddha: Steeped in a tender and romantic emotional atmosphere, this scene captures a moment of intimate connection and fateful union between the mythological lovers Princess Usha and Prince Aniruddha within the sanctuary of a…

Words worth pausing on

अपलक: बिना पलक झपकाए
प्रश्वासों: बाहर छोड़ी जाने वाली साँस
रत: लीन या मग्न

Threads

Soul Love

The Poet

अमिताभ त्रिपाठी 'अमित'

Amitabh Tripathi ‘Amit’

Amitabh Tripathi 'Amit' belongs to a rare class of contemporary Hindi poets who write to hold up an unflinching mirror to society. His verse is stripped of complex academic jargon and strikes directly at the center of modern Indian realities. In works like his celebrated poem "Bas Itna Sa Samachar Hai" (This is All the News There Is), Tripathi captures the everyday ironies, widespread corruption, and moral compromises of the present age with devastating precision. He dismantles hollow idealism and gives a powerful voice to the common man navigating a broken system. To read Amitabh Tripathi is to be awakened from civic slumber. His poems are not merely complaints; they are urgent pleas for a return to collective conscience and integrity.

Read more from Amitabh Tripathi ‘Amit’

Paired Painting

Usha and Aniruddha

This evocative masterpiece by M.V. Dhurandhar captures the tender, fateful union of Princess Usha and Lord Krishna's grandson, Aniruddha. Drawing from the rich tapestry of the Puranic legends, the artist portrays the couple in a moment of intimate connection within the sanctuary of the palace. The intricate woodwork of the background and the delicate, graceful drape of Usha's Nauvari sari reflect the artist's deep appreciation for traditional Indian aesthetics, blended with the precise technical training of the Bombay School of Art. Every stroke carries the weight of a legendary romance, reminding us of the enduring beauty found in the intersection of myth, history, and human emotion.

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