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Bombay Singer

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सधे पलड़ों के तराज़ू

Sadhe Paldo Ke Tarazu

Amarnath Srivastava
1 min read 5 versesDespairPain

5 verses · ~1 min

फांस जो छूती रगों को देखने में कुछ नहीं है

रह न पाया एक सांचे से मिला आकार मेरा स्वर्ण प्रतिमा जहां मेरी है फंसा अंगार मेरा आंख कह देती कहानी बांचने में कुछ नहीं है।

हैं हमें झूला झुलाते सधे पलड़े के तराज़ू माप से कम तौलते हैं वाम ठहरे सधे बाज़ू दांव पर सब कुछ लगा है देखने में कुछ नहीं है।

हर तरफ़ आंखें गड़ी हैं ढूंढती मुस्कान मेरी लाल कालीनें बिछाते खो गयी पहचान मेरी हर तरफ पहरे लगे हैं आंकने में कुछ नहीं है।

बोलने वाले चमकते हो गयी मणिदीप भाषा मैं अलंकृत क्या हुआ मुझसे अलंकृत है निराशा लोग जो उपहार लाये भांपने में कुछ नहीं है।

इति

Amarnath Srivastava

The Poet

अमरनाथ श्रीवास्तव

Amarnath Srivastava

1945 · 2000s

Amarnath Srivastava was a defining voice of the Navgeet movement who masterfully bridged traditional lyricism with the complex realities of modern Indian life. Born in 1937 in the Ghazipur district of Uttar Pradesh, he spent much of his working life in Allahabad, balancing a corporate career with a deep commitment to literature. Rather than writing from an isolated ivory tower, he drew poetic inspiration from everyday struggles, urban alienation, and changing human relationships. His prominent collections, such as the acclaimed Geru Ki Lipiyan and Dopahar Mein Gulmohar, showcase his remarkable ability to infuse profound emotional depth into highly accessible language. He also made significant contributions to the Hindi ghazal with works like Aadmi Ko Dekhkar. Honored twice with the prestigious Nirala Samman and later the Sahitya Bhushan, Srivastava passed away in 2009. His verses remain a poignant commentary on the middle class experience, capturing both the ache of nostalgia and the stark truths of a rapidly shifting society.

Bombay Singer

Paired Painting

Bombay Singer

In this evocative study, Raja Ravi Varma invites us to witness a moment of quietude and profound musicality. The Bombay Singer stands with an air of dignified contemplation, her posture suggesting a brief pause before she resumes her melody. The artist, known for his impeccable ability to marry European academic techniques with the nuanced grace of Indian aesthetics, portrays the subject in a lush, textured setting. The presence of the tanpura resting nearby serves as a silent testament to her artistic vocation, connecting the visual medium of painting with the auditory beauty of classical song. This work is not merely a portrait, but a respectful tribute to the cultural sophistication and the soulful presence of the women who moved through the cosmopolitan spaces of the era.

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