
तुम सुधि बन-बनकर बार-बार
Tum Sudhi Ban-Bankar Bar-Bar
Bhagwati Charan Verma
4 verses · ~10 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
Loading the archive
MM · XXVI

Shringara
Tandra Mein Anubhuti
Sachchidananda Hirananda Vatsyayan 'Agyeya'3 verses · ~1 min
तंद्रा में अनुभूति उस तम-घिरते नभ के तट पर स्वप्न-किरण रेखाओं से बैठ झरोखे में बुनता था जाल मिलन के प्रिय! तेरे। मैं ने जाना, मेरे पीछे सहसा तू आ हुई खड़ी झनक उठी टूटे-से स्वर से स्मृति-शृंखल की कड़ी-कड़ी।
बोला हृदय, 'लौट कर देखो प्रतिमा खो मत जाय कहीं!' किन्तु कहीं वह स्वप्न न निकले-इस से साहस हुआ नहीं! हाय, अवस्था कैसी थी वह! वज्राहत-सा हृदय रहा जाना जब तब अकथ व्यथा से अंग-अंग था कसक रहा।
यही रहेगा क्या प्रियतम! अब सदा के लिए अपना प्यार? तन्द्रा में अनुभूति, किन्तु जागृति में केवल पीड़ा-भार?
इति
The Poet
Sachchidananda Hirananda Vatsyayan 'Agyeya'
1911 · 1987
Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.

Paired Painting
Usha's Dream
This evocative work captures a profound moment from the Puranic tales, where the princess Usha finds herself visited in a dream by Aniruddha, the grandson of Lord Krishna. Raja Ravi Varma masterfully portrays the ethereal quality of this visitation, as the ghostly, diaphanous figure of the divine lover leans over the slumbering princess. The painting hums with the quiet intensity of longing and the blurring lines between mortal sleep and celestial connection. It remains a testament to Varma's unique ability to weave classical Sanskrit mythology into the visual language of the nineteenth century, forever immortalizing the tender vulnerability of a soul dreaming of its beloved.
Open the viewer →
If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Tandra Mein Anubhuti carries.