№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

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Simhika and Sairandhri

Raudra

शरणार्थी: जीना है बन सीने का साँप

Sharanarthi: Jeena Hai Ban Seene Ka Saamp

Sachchidananda Hirananda Vatsyayan 'Agyeya'
1 min read 2 versesस्वराजindependenceशरणार्थी

2 verses · ~1 min

हम ने भी सोचा था कि अच्छी चीज़ है स्वराज हम ने भी सोचा था कि हमारा सिर ऊँचा होगा ऐक्य में। जानते हैं पर आज अपने ही बल के अपने ही छल के अपने ही कौशल के अपनी समस्त सभ्यता के सारे संचित प्रपंच के सहारे

जीना है हमें तो, बन सीने का साँप उस अपने समाज के जो हमारा एक मात्र अक्षंतव्य शत्रु है क्योंकि हम आज हो के मोहताज उस के भिखारी शरणार्थी हैं।

इति

Sachchidananda Hirananda Vatsyayan 'Agyeya'

The Poet

अज्ञेय

Sachchidananda Hirananda Vatsyayan 'Agyeya'

Simhika and Sairandhri

Paired Painting

Simhika and Sairandhri

This masterwork captures a deeply tense and emotionally charged episode from the Mahabharata, unfolding during the final year of the Pandavas exile in disguise. Draupadi, living under the assumed identity of the maidservant Sairandhri in the court of Virata, finds herself trapped in a terrifying encounter with the evil commander Kichaka, whose advances she repeatedly spurns. Here, the scheming Simhika, sister to Kichaka, approaches Sairandhri with cunning persuasion, coaxing her to meet the infatuated general. Raja Ravi Varma masterfully contrasts the two figures, portraying Simhika with a deceptive, calculating allure, her arm outstretched in direction, while Sairandhri clings to herself in profound distress, her eyes filled with sorrow and foreboding. Through his exquisite command of European academic realism infused with Indian theatrical sensibilities, Varma immortalizes not just a mythological encounter, but the universal vulnerability and quiet resilience of a woman standing alone in peril.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Sharanarthi: Jeena Hai Ban Seene Ka Saamp carries.