
अब भी
Ab Bhi
Shalabh Shriram Singh
7 verses · ~16 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

Shanta
Phool Ki Smaran-Pratima
Sachchidananda Hirananda Vatsyayan 'Agyeya'2 verses · ~1 min
यह देने का अहंकार छोड़ो । कहीं है प्यार की पहचान तो उसे यों कहो: 'मधुर ये देखो फूल । इसे तोड़ो; घुमा-फिरा कर देखो, फिर हाथ से गिर जाने दो: हवा पर तिर जाने दो- (हुआ करे सुनहली) धूल ।'
फूल की स्मरण-प्रतिमा ही बचती है । तुम नहीं, न तुम्हारा दान ।
इति
The Poet
Sachchidananda Hirananda Vatsyayan 'Agyeya'
1911 · 1987
Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.

Paired Painting
Princess Giving Golden Earring to Brahman Boy
In this evocative scene, Archibald Herman Muller captures a moment of profound spiritual grace, where the boundaries of social hierarchy dissolve through an act of selfless giving. The princess, draped in the traditional attire of royalty, descends the temple steps to bestow a golden earring upon a young Brahman boy. The artist masterfully contrasts the opulent, heavy ornamentation of the princess with the simple, humble posture of the child, suggesting a deep connection that transcends material wealth. The composition, bathed in an ethereal light, evokes the solemnity of a sacred ritual, inviting the viewer to contemplate the timeless virtues of compassion, humility, and the quiet sanctity found within the ancient temple architecture.
Open the viewer →
If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Phool Ki Smaran-Pratima carries.