№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

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Yudhisthira and His Dog, Ascending

Shanta

नन्दा देवी-13

Nanda Devi-13

Sachchidananda Hirananda Vatsyayan 'Agyeya'
3 min read 2 versesगजराजelephantमृत्यु

2 verses · ~3 min

यूथ से निकल कर घनी वनराजियों का आश्रय छोड़ कर गजराज पर्वत की ओर दौड़ा है: पर्वत चढ़ेगा। कोई प्रयोजन नहीं है पर्वत पर पर गजराज पर्वत चढ़ेगा। पिछड़ता हुआ यूथ बिछुड़ता हुआ मुड़ता हुआ जान गया है कि गजराज मृत्यु की ओर जा रहा है: शिखर की ओर दौड़ने की प्रेरणा मृत्यु की पुकार है। उधर की दुर्निवार गजराज बढ़ेगा। यह नहीं कि यूथ जानता है यह नहीं कि गजराज पहचानता है कि मृत्यु क्या है: एक कुछ चरम है एक कुछ शिखर है एक कुछ दुर्निवार है एक कुछ नियति है। शिखर पर क्या है, गजराज? ...मृत्यु क्या मृत्यु ही है शिखर पर? मृत्यु शिखर पर ही क्यों है? क्या यहाँ नहीं है, नहीं हो सकती? कहाँ नहीं है, जो शिखर पर हो? मृत्यु ही शिखर है कदाचित्? किस का शिखर? क्या शिखर की ओर दुर्निवार जाना ही प्रमाण है कि शिखर बस एक आयाम है- किस का आयाम? तो शिखर से आगे क्या है? त्वादृङ् नो भूथान्नचिकेता प्रष्टा... तो क्या मैं शिकार की ओर दौड़ा हूँ या शिखर से आगे? किस का शिखर? महतः परमव्यक्तम् शिखर से आगे क्या है, गजराज? अव्यक्तात्तपुरुषः परः पांडव हिमालय गये थे: पांडव- पर युधिष्ठिर कहाँ गये थे? शिखर से आगे क्या है? त्वादृङ् नो भूयान्नचिकेता प्रष्टा... शिखर से आगे क्या है? क्या...क्या...? है, है... सा काष्ठा सा परा गति... यूथ से निकल कर गजराज...

बिनसर, नवम्बर, 1972

इति

Sachchidananda Hirananda Vatsyayan 'Agyeya'

The Poet

अज्ञेय

Sachchidananda Hirananda Vatsyayan 'Agyeya'

1911 · 1987

Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.

Yudhisthira and His Dog, Ascending

Paired Painting

Yudhisthira and His Dog, Ascending

This profound work depicts the final, poignant moment from the Mahabharata, the Svargarohanika Parva. Yudhisthira, the embodiment of righteousness, stands at the threshold of the heavens. He is accompanied by his loyal dog, whom he refused to abandon even when offered entry into the celestial realms alone. The painting captures the spiritual weight of his choice, showcasing a soul so anchored in compassion that it would renounce paradise itself for the sake of a faithful companion. Nandalal Bose masterfully employs the wash technique to create a dreamlike, ethereal atmosphere, reflecting the transition between the mortal world and the divine hereafter. His brushstrokes invite us to contemplate the virtue of unwavering loyalty and the quiet dignity of a righteous heart.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Nanda Devi-13 carries.