№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Varaha

Shanta

मिट्टी ही ईहा है

Mitti Hi Iha Hai

Sachchidananda Hirananda Vatsyayan 'Agyeya'
1 min read 3 versesमिट्टीclayईहा

3 verses · ~1 min

मैं ने सुना: और मैं ने बार-बार स्वीकृति से, अनुमोदन से और गहरे आग्रह से आवृत्ति की: 'मिट्टी से निरीह'- और फिर अवज्ञा से उन्हें रौंदता चला- जिन्हें कि मैं मिट्टी-सा निरीह मानता था। किन्तु वसन्त के उस अल्हड़ दिन में

एक भिदे हुए, फटे हुए लोंदे के बीच से बढ़ कर अंकुर ने तुनुक कर कहा-'मिट्टी ही ईहा है!' कितना तुच्छ है तुम्हारा अभिमान जो कि मिट्टी नहीं हो- जो कि मिट्टी को रौंदते हो-

जो कि ईहा को रौंदते हो- 'क्योंकि मिट्टी ही ईहा है!'

इति

Sachchidananda Hirananda Vatsyayan 'Agyeya'

The Poet

अज्ञेय

Sachchidananda Hirananda Vatsyayan 'Agyeya'

1911 · 1987

Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.

Varaha

Paired Painting

Varaha

This sacred image depicts the third avatar of Lord Vishnu, Varaha, the divine boar, who emerged from the cosmic waters to rescue the Earth from the depths of the primordial ocean. Raja Ravi Varma, a master of bridging the gap between traditional Indian iconography and Western academic realism, captures the majesty of this cosmic salvation. In this lithograph, we see Varaha standing triumphantly within the churning waves, holding the Earth globe upon his tusk with gentle strength. The figure, bathed in an ethereal green hue, embodies both the ferocity of the wild boar and the supreme tranquility of the divine preserver. Through the mass production of these prints, Ravi Varma democratized access to the divine, allowing millions of households to invite the presence of the gods into their daily lives and personal prayers.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Mitti Hi Iha Hai carries.