3 verses · ~1 min
मैं कवि हूँ द्रष्टा, उन्मेष्टा, सन्धाता, अर्थवाह, मैं कृतव्यय। मैं सच लिखता हूँ: लिख-लिख कर सब झूठा करता जाता हूँ।
तू काव्य: सदा-वेष्टित यथार्थ चिर-तनित, भारहीन, गुरु, अव्यय। तू छलता है
पर हर छल में तू और विशद, अभ्रान्त, अनूठा होता जाता है।
इति
The Poet
अज्ञेय
Sachchidananda Hirananda Vatsyayan 'Agyeya'
1911 · 1987
Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.
Paired Painting
Lord Ganesha Writing
In this deeply contemplative and reverent portrait, Ramgopal Vijaivargiya captures Lord Ganesha in his sacred role as the divine scribe, poised to transcribe the cosmic wisdom of the Mahabharata. With infinite patience and gentle grace, the elephant headed deity holds a stylus, attending to the scroll resting upon his lap, while his faithful vahana, the mouse, waits quietly below. Vijaivargiya, deeply inspired by classical literature and poetry, imbues the scene with a serene meditative atmosphere. The delicate watercolor wash technique, characteristic of the Bengal School revival, bathes the divine figure in a warm, ethereal glow, evoking an intimate moment of sacred creation.
Open the viewer →