№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

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Woman Worshipping the Serpent

Shanta

चक्रान्त शिला – 15

Chakrant Shila – 15

Sachchidananda Hirananda Vatsyayan 'Agyeya'
1 min read 5 versesनैवेद्यofferingहलाहल

5 verses · ~1 min

जो कुछ सुन्दर था, प्रेय, काम्य, जो अच्छा, मँजा-नया था, सत्य-सार, मैं बीन-बीन कर लाया। नैवेद्य चढ़ाया।

पर यह क्या हुआ? सब पड़ा-पड़ा कुम्हलाया, सूख गया, मुरझाया: कुछ भी तो उस ने हाथ बढ़ा कर नहीं लिया। गोपन लज्जा में लिपटा, सहसा स्वर भीतर से आया:

यह सब मन ने किया, हृदय ने कुछ नहीं दिया, थाती का नहीं, अपना हो जिया। इस लिए आत्मा ने कुछ नहीं छुआ।

केवल जो अस्पृश्य, अगर्ह्य कह तज आयी मेरे अस्तित्व मात्र की सत्ता, जिस के भय से त्रस्त, ओढ़ती काली घृणा इयत्ता, उतना ही, वही हलाहल उसने लिया।

और मुझ को वात्सल्य भरा आशिष दे कर!- ओक भर पिया।

इति

Sachchidananda Hirananda Vatsyayan 'Agyeya'

The Poet

अज्ञेय

Sachchidananda Hirananda Vatsyayan 'Agyeya'

1911 · 1987

Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.

Woman Worshipping the Serpent

Paired Painting

Woman Worshipping the Serpent

This evocative illustration captures a moment of quiet domestic piety rooted in ancient traditions. Within the intimate setting of a traditional home, a woman performs the sacred rite of Naga Puja, offering homage to the serpent, a symbol of primal energy and protection in Indian cosmology. The presence of the serpents, depicted with calm reverence rather than fear, highlights the seamless integration of the divine within the mundane activities of daily life. The artist, D. P. Joglekar, masterfully uses soft light and warm tones to create an atmosphere of profound serenity and spiritual dedication, inviting the viewer to witness a timeless act of devotion that bridges the human and the elemental worlds.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Chakrant Shila – 15 carries.