Karuna

बन्दी और विश्व

Bandi Aur Vishwa

Sachchidananda Hirananda Vatsyayan 'Agyeya'

1 min read 3 versesकविpoetकारा

3 verses · ~1 min

मैं तेरा कवि! ओ तट-परिमित उच्छल वीचि-विलास! प्राणों में कुछ है अबाध-तनु को बाँधे हैं पाश! मैं तेरा कवि! ओ सन्ध्या की तम-घिरती द्युति कोर! मेरे दुर्बल प्राण-तन्तु को व्यथा रही झकझोर!

मैं तेरा कवि! ओ निशि-विष-प्याले के छलके रिक्त! परवशता के दाह-नीर से मेरा मन अभिषिक्त! मैं तेरा कवि! ओ प्रात:तारे के नेत्र, हताश! मेरा भी तो हृत-वैभव से पूर्ण सकल आकाश!

मै तेरा कवि! ओ कारा की बद्ध अबाध विकलते! उर पीड़ा-निधि, पर आँखों से आँसू नहीं निकलते!

इति

Sachchidananda Hirananda Vatsyayan 'Agyeya'

The Poet

अज्ञेय

Sachchidananda Hirananda Vatsyayan 'Agyeya'

1911 · 1987

Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.

Paired Painting

Yogamaya Escaping from Kamsa

In the deep shadows of a prison cell in Mathura, the divine drama of liberation unfolds with breathtaking urgency. The tyrant Kamsa, consumed by dread and arrogance, lunges backward in sheer terror as the celestial goddess Yogamaya slips from his grasp. Bathed in a radiant, heavenly halo, the divine feminine ascends into the night sky, her multi armed form a symbol of cosmic illusion and ultimate truth. Below, Vasudeva and Devaki stand with hands joined in reverent prayer, their faces illuminated by the soft, ethereal glow of grace amidst captivity. Raja Ravi Varma masterfully captures this pivotal mythological threshold, where mortal tyranny shatters against the luminous expanse of the divine.

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