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दृष्टि-पथ से तुम जाते हो जब
Drishti-Path Se Tum Jate Ho Jab
Sachchidananda Hirananda Vatsyayan 'Agyeya'6 verses · ~1 min
दृष्टि-पथ से तुम जाते हो जब।
तब ललाट की कुंचित अलकों- तेरे ढरकीले आँचल को, तेरे पावन-चरण कमल को, छू कर धन्य-भाग अपने को लोग मानते हैं सब के सब।
मैं तो केवल तेरे पथ से उड़ती रज की ढेरी भर के, चूम-चूम कर संचय कर के रख भर लेता हूँ मरकत-सा मैं अन्तर के कोषों में तब।
पागल झंझा के प्रहार सा, सान्ध्य-रश्मियों के विहार-सा, सब कुछ ही यह चला जाएगा- इसी धूलि में अन्तिम आश्रय मर कर भी मैं पाऊँगा दब!
दृष्टि-पथ से तुम जाते हो जब।
दिल्ली जेल, दिसम्बर, 1931
इति
The Poet
अज्ञेय
Sachchidananda Hirananda Vatsyayan 'Agyeya'
1911 · 1987
Sachchidananda Hirananda Vatsyayan, universally known by his pen name Agyeya, completely rewired the circuitry of modern Hindi literature. Born in 1911 in a British archaeological camp in Uttar Pradesh, his life was as fiercely untraditional as his prose. Before he became the architect of the Prayogavaad (Experimentalism) movement, he was an active revolutionary who spent four years in British colonial prisons for attempting to help Bhagat Singh escape. In those prison cells, he began drafting Shekhar: Ek Jivani, a psychological novel that shocked the literary establishment with its unapologetic exploration of the individual ego. He rejected the prevailing romanticism of the era and instead assembled the Tar Saptak series, bringing together a new generation of poets who wrote in free verse about alienation, intellect, and the fractured modern psyche. He won the Sahitya Akademi Award in 1964 and the Jnanpith Award in 1978. Agyeya was a novelist, a combatant officer in World War II, a journalist, and a profound existential thinker. He gave Hindi literature the vocabulary to interrogate the inner self without the comfort of traditional morality.
Paired Painting
Dhola and Maru on a Camel
This exquisite miniature painting captures the immortal romance of Dhola and Maru, beloved figures of Rajasthani folklore whose tale of devotion transcends immense trials and distance. Set against a luminous green hill and a dramatic sky, the noble prince Dhola and his faithful bride Maru ride together upon a single, magnificently adorned camel across the desert sands. Their journey is one of reunion and triumph, painted with delicate brushstrokes, glowing gold highlights, and vibrant pigments that evoke the eternal warmth of the Thar desert. Every detail, from the expressive gaze shared between the lovers to the ornate floral borders framing the central scene, invites the viewer into a timeless world of passionate longing and royal grace.
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