№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

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Rupasundari

Shringara

संध्या सुन्दरी

Sandhya Sundari

Suryakant Tripathi 'Nirala'
2 min read 3 versesसंध्याeveningसुन्दरी

3 verses · ~2 min

दिवसावसान का समय- मेघमय आसमान से उतर रही है वह संध्या-सुन्दरी, परी सी, धीरे, धीरे, धीरे तिमिरांचल में चंचलता का नहीं कहीं आभास, मधुर-मधुर हैं दोनों उसके अधर, किंतु ज़रा गंभीर, नहीं है उसमें हास-विलास। हँसता है तो केवल तारा एक- गुँथा हुआ उन घुँघराले काले-काले बालों से, हृदय राज्य की रानी का वह करता है अभिषेक। अलसता की-सी लता, किंतु कोमलता की वह कली, सखी-नीरवता के कंधे पर डाले बाँह, छाँह सी अम्बर-पथ से चली। नहीं बजती उसके हाथ में कोई वीणा, नहीं होता कोई अनुराग-राग-आलाप, नूपुरों में भी रुन-झुन रुन-झुन नहीं, सिर्फ़ एक अव्यक्त शब्द-सा 'चुप चुप चुप' है गूँज रहा सब कहीं-

व्योम मंडल में, जगतीतल में- सोती शान्त सरोवर पर उस अमल कमलिनी-दल में- सौंदर्य-गर्विता-सरिता के अति विस्तृत वक्षस्थल में- धीर-वीर गम्भीर शिखर पर हिमगिरि-अटल-अचल में- उत्ताल तरंगाघात-प्रलय घनगर्जन-जलधि-प्रबल में- क्षिति में जल में नभ में अनिल-अनल में- सिर्फ़ एक अव्यक्त शब्द-सा 'चुप चुप चुप' है गूँज रहा सब कहीं-

और क्या है? कुछ नहीं। मदिरा की वह नदी बहाती आती, थके हुए जीवों को वह सस्नेह, प्याला एक पिलाती। सुलाती उन्हें अंक पर अपने, दिखलाती फिर विस्मृति के वह अगणित मीठे सपने। अर्द्धरात्री की निश्चलता में हो जाती जब लीन, कवि का बढ़ जाता अनुराग, विरहाकुल कमनीय कंठ से, आप निकल पड़ता तब एक विहाग!

इति

Suryakant Tripathi 'Nirala'

The Poet

सूर्यकांत त्रिपाठी "निराला

Suryakant Tripathi 'Nirala'

1899 · 1961

Suryakant Tripathi Nirala lived in the permanent condition of the truly original. He was frequently misunderstood by the very world he transformed. Born in Bengal but claiming Hindi as the medium of his revolution, he dismantled the metrical structures of classical Sanskrit based verse. He introduced what he called mukta chhand, or free verse, into a tradition that had never encountered it and was not at first grateful. His life was a sustained encounter with catastrophe. The plague took his wife, daughter, and brother in the same brutal sweep. Poverty pressed against him without mercy, and critical misunderstanding sometimes shaded into deliberate cruelty. Yet from within this suffering, he produced verse of such concentrated and terrible beauty that it reads not as the product of a broken man, but as the testimony of a spirit that had gone through fire and returned with the fire still alive inside it. His epic Ram Ki Shakti Puja remains one of the supreme poems in the Hindi language. It is a profound meditation on doubt, divine abandonment, and the final trembling choice to go on fighting. Nirala was not a comfortable figure, nor was he praised sufficiently in his lifetime. But he was, in the most absolute sense, free. That freedom cost him everything and produced everything. He remains the patron saint of the uncompromising.

Rupasundari

Paired Painting

Rupasundari

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Sandhya Sundari carries.