Hasya

समझ का फेर

Samajh Ka Pher

Ayodhya Singh Upadhyay 'Hariaudh'

1 min read 5 versesव्यंग्यsatireसमझ

5 verses · ~1 min

है भरी कूट कूट कोर कसर। माँ बहन से करें न क्यों कुट्टी। लोग सहयोग कर सकें कैसे। है असहयोग से नहीं छुट्टी।1।

मेल बेमेल जाति से करके। हम मिटाते कलंक टीके हैं। जाति है जा रही मिटी तो क्या। रंग में मस्त यूनिटी के हैं।2।

अनसुनी बात जातिहित की कर। मुँह बिना किसलिए न दें टरखा। कात चरखा सके नहीं अब भी। हैं मगर लोग हो गये चरखा।3।

माँ बहन बेटियाँ लुटें तो क्या। देख मुँह मेल का उसे लें सह। हो बड़ी धूम औ धड़ल्ले से। मन्दिरों पर तमाम सत्याग्रह।4।

बे समझ और आँख के अंधो। देख पाये कहीं नहीं ऐसे। जो न ताराज हो गये हिन्दू। मिल सकेगा स्वराज तो कैसे।5।

इति

The Poet

अयोध्या सिंह उपाध्याय ‘हरिऔध’

Ayodhya Singh Upadhyay 'Hariaudh'

1865 · 1947

Ayodhya Singh Upadhyay, widely known by his pen name Hariaudh, fundamentally altered the course of modern Hindi poetry. Born in 1865 in Nizamabad, Uttar Pradesh, he initially wrote in Braj Bhasha before making a decisive shift to Khari Boli. This transition proved historic. In 1914, he published Priyapravas, universally recognized as the very first epic poem written in modern Hindi. Hariaudh did not just write a monumental text. He proved that the everyday language of the people possessed the aesthetic gravity necessary for grand mythological narratives. His poetry seamlessly blended profound devotion with contemporary social reform, reimagining the divine figures of Radha and Krishna as dedicated servants of humanity. He served for decades as a professor at Banaras Hindu University, mentoring an entire generation of modern writers. Passing away in 1947, Hariaudh left a legacy that permanently established the structural foundations of contemporary Hindi literature.

Paired Painting

Scene from a Hindu Marriage

Mahadev Vishwanath Dhurandhar captures a moment of profound social and spiritual union in this masterwork. The painting is a silent symphony of grace; it portrays the vibrant domestic life of early twentieth century Maharashtra with a level of intimacy that feels almost sacred. As we look upon these women, gathered in the soft light of a ceremonial hall, we are witnessing more than a mere event: we are seeing the preservation of a culture's soul. Each fold of the Nauvari saree and each gentle gesture of a hand tells a story of lineage and belonging. Dhurandhar was a pioneer who bridged the gap between Western academic techniques and the timeless heart of Indian tradition. His brush breathes life into the gentle murmurs of the crowd, the clinking of bangles, and the quiet dignity of a community coming together to bless a new beginning.

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