
माता-पिता
Mata-Pita
Ayodhya Singh Upadhyay 'Hariaudh'
10 verses · ~18 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

Shringara
Matwali Mamata
Ayodhya Singh Upadhyay 'Hariaudh'1 verses · ~1 min
मानव ममता है मतवाली । अपने ही कर में रखती है सब तालों की ताली । अपनी ही रंगत में रंगकर रखती है मुँह लाली । ऐसे ढंग कहा वह जैसे ढंगों में हैं ढाली । धीरे-धीरे उसने सब लोगों पर आँखें डाली । अपनी-सी सुन्दरता उसने कहीं न देखी-भाली । अपनी फुलवारी की करती है वह ही रखवाली । फूल बिखेरे देती है औरों पर उसकी गाली । भरी व्यंजनों से होती है उसकी परसी थाली । कैसी ही हो, किन्तु बहुत ही है वह भोली-भाली ।।१।।
इति
The Poet
Ayodhya Singh Upadhyay 'Hariaudh'

Paired Painting
Woman with Fruit Plate
In this serene composition, Raja Ravi Varma captures the timeless grace of an Indian woman, elevated by his masterful fusion of European realism and traditional Indian sensibilities. The figure holds a plate of fruit with a poise that suggests both domestic duty and a sacred offering. Her expression is one of quiet contemplation, reflecting the dignified beauty the artist sought to immortalize. Varma sought to bring Indian subjects into the realm of high art, and here, through the soft play of light on her crimson sari and the delicate rendering of her jewelry, he invites the viewer to share in a moment of tranquil domesticity that feels eternal.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Matwali Mamata carries.