№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Untitled (Disappointed)

Karuna

परदेसी बालम धन अकेली मेरा बिदेसी घर आवना

Pardesi Balam Dhan Akeli Mera Bidesi Ghar Aavana

Amir Khusrow
1 min read 1 versesपरदेसीforeignerविरह

1 verses · ~1 min

परदेसी बालम धन अकेली मेरा बिदेसी घर आवना। बिर का दुख बहुत कठिन है प्रीतम अब आजावना। इस पार जमुना उस पार गंगा बीच चंदन का पेड़ ना। इस पेड़ ऊपर कागा बोले कागा का बचन सुहावना।

इति

Amir Khusrow

The Poet

अमीर खुसरो

Amir Khusrow

1253 · 1325

Amir Khusrow lived and breathed a syncretic culture centuries before the modern world even possessed the vocabulary for it. Born in 1253 in Patiyali, Uttar Pradesh, he served as a scholar, a musician, and a poet under the Delhi Sultanate. Despite his royal appointments, his true allegiance remained with his spiritual master, Nizamuddin Auliya. He is widely recognized as the father of Qawwali and is traditionally credited with the invention of the sitar and tabla. His most profound contribution, however, lay in language. He took the formal Persian of the royal courts and merged it with the everyday Hindavi spoken on the streets. His riddles, verses, and ghazals are entirely alive today, still sung at shrines and in courtyards across the Indian subcontinent. Khusrow did not merely write poetry. He shaped the cultural identity of North India, proving that authentic devotion bypasses all borders of language and religion.

Untitled (Disappointed)

Paired Painting

Untitled (Disappointed)

In this poignant composition, Jogesh Chandra Seal captures the quiet, heavy ache of human longing. We see a young woman retreating into the shadows of a great tree, her posture reflecting a soul turned inward by sorrow or unfulfilled expectation. She stands beside a peacock, a traditional symbol of love and longing in Indian aesthetics, yet the bird appears as a silent witness to her solitude rather than a partner in joy. The painting invites us to empathize with the universal experience of disappointment, expressed here through the delicate folds of her sari and the downcast gaze that speaks volumes of a heart burdened by its own secrets. It is a masterful study of the quiet moments when life does not unfold as we once dared to dream.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Pardesi Balam Dhan Akeli Mera Bidesi Ghar Aavana carries.