1 verses · ~1 min
मोरा जोबना नवेलरा भयो है गुलाल। कैसे घर दीन्हीं बकस मोरी माल। निजामुद्दीन औलिया को कोई समझाए, ज्यों-ज्यों मनाऊँ वो तो रुसो ही जाए। चूडियाँ फूड़ों पलंग पे डारुँ इस चोली को मैं दूँगी आग लगाए। सूनी सेज डरावन लागै। बिरहा अगिन मोहे डस डस जाए। मोरा जोबना।
इति
The Poet
अमीर खुसरो
Amir Khusrow
1253 · 1325
Amir Khusrow lived and breathed a syncretic culture centuries before the modern world even possessed the vocabulary for it. Born in 1253 in Patiyali, Uttar Pradesh, he served as a scholar, a musician, and a poet under the Delhi Sultanate. Despite his royal appointments, his true allegiance remained with his spiritual master, Nizamuddin Auliya. He is widely recognized as the father of Qawwali and is traditionally credited with the invention of the sitar and tabla. His most profound contribution, however, lay in language. He took the formal Persian of the royal courts and merged it with the everyday Hindavi spoken on the streets. His riddles, verses, and ghazals are entirely alive today, still sung at shrines and in courtyards across the Indian subcontinent. Khusrow did not merely write poetry. He shaped the cultural identity of North India, proving that authentic devotion bypasses all borders of language and religion.
Paired Painting
Draupadi Presented to the Pachisi Game
This profound chromolithograph captures one of the most heartbreaking yet spiritually triumphant moments in the Mahabharata. Queen Draupadi, having been lost in a malicious game of dice by her husbands the Pandavas, stands alone in the royal court, confronted by the aggressive Dushasana. As her modesty is brutally challenged, her hands are raised in desperate supplication to the divine, symbolizing the ultimate surrender to cosmic grace. Through the vibrant printing techniques of the Ravi Varma Press, this visual narrative became a household icon of devotion, reminding generations of the unwavering protection that divine intervention offers to the righteous in moments of deepest despair.
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